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Lisa Orrell, The Promote U Guru 
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Posts Tagged ‘book publishing’Three Ways Authors Can Get Media Coverage for FreeJune 18th, 2014Hi All! On a regular basis, I have Authors contact me who are extremely frustrated because they’ve spent tons of time and effort (and oftentimes, a lot of money) writing their books only to see the sales of it minimal. But typically this isn’t because their books aren’t good! Rather, the lack-of-interest and low book sales are the result of most people not knowing their books exists.  You can get media coverage without a big budget or Publicist! That’s where PR and Publicity can help. Yet most Authors who I speak with never even issued a Press Release announcing their book was published; let alone put effort into an on-going media outreach strategy. PR and Publicity is a critical component to building awareness for your Personal Brand and attracting more interest in your book, so it shouldn’t be overlooked. If you’re experiencing frustration and low book sales, keep reading. It’s time to be your own “Publicist” to achieve that “all important” awareness you’re lacking after you publish. Here are three PR strategies that don’t require a financial investment. They simply require an investment of your time: Don’t Make Your News General: The media wants key tips, interesting lessons, and compelling angles that come from your book, and they normally want you to provide them with that info. Don’t make them have to dig for it in your Press Release (or book) because they rarely will. Basically, GIVE THEM article or segment ideas. Don’t give them a “general” Press Release just about your new book and hope they’ll think of a reason to interview you. But AFTER the release of your new book has become “old news”, the strategy above is one you can use on an on-going basis to continue getting media coverage…and your book will always be mentioned in any interviews you do. It’s like getting an Oscar! Once an actor is nominated or wins one, they are never introduced again without that being mentioned along with their name. Be Sure to Pitch the Right Media: Make sure the media you pitch actually reaches the target audience YOU want to reach! This may sound like common sense, but it’s not common practice. You have to create a targeted list of print media (i.e. magazines/newspapers), online media, blogs, podcasts, and Radio and TV shows that cover topics like yours. Here’s an example: Let’s say you’re a Leadership Coach who has written a book on effective management skills, don’t waste your time pitching ideas to a Top 40 radio “morning zoo-type” of show that primarily reaches young people between 14-21 years old. The Producers won’t be interested in your topic so they won’t book you as a guest on the show. Follow Up is Key: After you have emailed the media contacts your pitch and/or Press Release, FOLLOW UP! This is where most non-professional PR people drop the ball. It normally takes more effort than just sending them one email. The media gets pitched a lot so it’s important to send several follow up emails and even leave 1-2 voicemail messages. Being the squeaky wheel is sometimes required to get their attention. And once you do, they’ll quickly tell you whether they’re interested or not. But please note that just because they may not be interested in your topic right away, doesn’t mean they never will be. Maybe they just covered a topic like yours so they don’t want to do another segment or article on it again quite yet. The good news to that is twofold: you know they ARE interested in topics like yours, AND you will now be on their radar as a “Topic Expert” for future stories they do. In closing, getting PR and Publicity for your Personal Brand and book is not complicated. It just requires some time and effort. You really can get massive media coverage even without a budget or the help of a professional Publicist!  How A Boomer Executive Got Fired and Launched a New LifeMarch 17th, 2012Hi All! I have 2 rituals that I perform prior to boarding a plane if it’s a morning flight: Buy a Vitamin Water and a USA Today newspaper. No matter what city I’m flying out of, if my flight is before noon local time, you can find me doing this in an airport store close to my departing gate. There is absolutely no point in my telling you that, other than recently I was on a flight, reading my USA Today, and came across an interesting article about a new book that I thought was very interesting and inspiring. But, before I jump into telling you about it, let me take a minute to explain why the article about the author’s journey and his new book grabbed my interest: Back in October of 2011, I published my third book, “Boomers into Business: How Anyone Over 50 Can Turn What They Know into Dough Before and After Retirement”. Basically, there are startling stats about how ill-prepared more than 47% of Boomers are to have enough money to retire (or to even cover their basic bills later in life!). So I wrote my latest book to provide career options that Boomers can consider to make more money now, on-the-side of their current job, if they’re employed, as well as what they can do after they “retire” from their current job or career to generate income past 65 years old. Again, almost 50% of Boomers are at risk of outliving their retirement savings so this is a serious issue…and will cause many Boomers to have to generate income, somehow, well into their later years. Okay, now back to the book I read about on the plane. It’s called, “Diary of a Company Man: Losing a Job, FInding a Life”, written by James. S. Kunen (Lyons Press). In a nutshell, at 59 years old Kunen was fired from a corporate job at Time Warner, and found himself in what he, along with many other Boomers, describe as a place of: Too young to retire and too old to hire. According to the article about his journey, 100 employees out of 500 were let go, and of those 100, 4-out-of-the-5 people let go in corporate communications were over 40 years old. He being one of the “oldest” at 59. So, there Kunen was, caught in that weird vortex many Boomers find themselves in where they find it hard to find a job, yet they’re too young to “stop” working because they don’t have enough retirement savings. Now, I don’t want to give away the ending and how he survived this, so you’ll either have to read his book or read the article I read online in USA Today back on February 27, 2012 to get more details. But I will offer you this brief book description to wet your appetite: The funny, insightful, and inspiring story of a 1960s campus radical turned corporate PR man who finds himself, along with his fellow baby boomers, in a place called “Too Young to Retire and Too Old to Hire”. James S. Kunen—author of “The Strawberry Statement“, an account of the 1968 student uprising at Columbia University—chronicles his adventures on the road to finding meaning in work and life. He traces his evolution from a rebellious youth who sees working as a kind of death, to a laid-off corporate executive who experiences not working as a kind of death, to a reinvented and reinvigorated individual who discovers something important and meaningful to do. The experience of falling victim to America’s recession-ravaged economy (and the people who run it) leads him along a career path far different from anything he had planned. After years of making a living, Kunen finally learns how to make a life. “Diary of a Company Man” will be a revelation not only to baby boomers but to young people trying to figure out what to do with their lives. Aside from publishing a book, what did he do to make a living? How did he reinvent himself? Did he become self-employed? Did he find another corporate job? If you’re a Boomer and find yourself in a similar situation as Kunen, let-go from a job close to 60, what can you do? Or if you still have a job but need to make more money for your retirement account, what can you do? Or if you’re looking for something you can do to generate income past 65 years old, what can you do? For starters, on Amazon you can pick up a copy of Kunen’s book, or my new book (mine is available in both Print and Kindle versions), for some ideas! Sadly, all of this is a reality for over 35 million Baby Boomers, and the time to start thinking about financial security in your golden years is now! Cheers & Happy Marketing! Lisa How One Author’s Self Published Book Became a Best SellerDecember 10th, 2011Hi All! Many of my clients are authors, or aspiring authors, who self publish their books or who have gotten traditional publishing deals. But regardless of how they published, they come to me for help with book marketing. And, as the author of 3 books myself, I can tell you first hand that just because your book is on Amazon (or available elsewhere) it doesn’t matter if no one knows it exists! That said, I came across an interesting article published by The Wall Street Journal, written by Alexandra Alter, about how one self published author took matters into her own hands and ended up with a best-seller that has now sold over 400,000 copies! I wanted to share this great story with you because it’s not only inspirational for any of you who are authors or planning to become one, but it also explains HOW she made this happen. Here’s an excerpt from the article: Article: “How I Became a Best-Selling Author”: This summer, Darcie Chan’s debut novel became an unexpected hit. It has sold more than 400,000 copies and landed on the best-seller lists alongside brand-name authors like Michael Connelly, James Patterson and Kathryn Stockett. It’s been a success by any measure, save one. Ms. Chan still hasn’t found a publisher. Five years ago, Ms. Chan’s novel, “The Mill River Recluse,” which tells the story of a wealthy Vermont widow who bestows her fortune on town residents who barely knew her, would have languished in a drawer. A dozen publishers and more than 100 literary agents rejected it. “Nobody was willing to take a chance,” says Ms. Chan, a 37-year-old lawyer who drafts environmental legislation. “It was too much of a publishing risk.” This past May, Ms. Chan decided to digitally publish it herself, hoping to gain a few readers and some feedback. She bought some ads on Web sites targeting e-book readers, paid for a review from Kirkus Reviews, and strategically priced her book at 99 cents to encourage readers to try it. She’s now attracting bids from foreign imprints, movie studios and audio-book publishers, without selling a single copy in print. The story of how Ms. Chan joined the ranks of best sellers is as much a tale of digital marketing savvy and strategic pricing as one of artistic triumph. Her breakout signals a monumental shift in the way books are packaged, priced and sold in the digital era. Just as music executives have been sidestepped by YouTube sensations and indie iTunes hits, book publishers are losing ground to independent authors and watching their powerful status as literary gatekeepers wither. Self-publishing has long been derided as a last resort for authors who lack the talent or savvy to hack it in the publishing business. But it has gained a patina of legitimacy as a growing number of self-published authors land on best-seller lists. Last year, 133,036 self-published titles were released, up from 51,237 in 2006, according to Bowker, a company that tracks publishing trends. To read the rest of this info-packed article and learn more about Ms. Chan’s amazing story, CLICK HERE! Cheers & Happy Marketing! Lisa A Very Interesting Way to Learn Financial Planning TipsNovember 13th, 2011
Hi All! As small business owners, entrepreneurs or solo-practitioners, it’s critical for you (us!) to be smart with our finances…not only for security now, but for our retirement futures. Because of my new book on Amazon, Boomers into Business: How Anyone Over 50 Can Turn What They Know into Dough Before and After Retirement, I’ve been sharing a lot of shocking stats lately pertaining to the dire financial situation Boomers are facing. Here’s one worth repeating: 47.2% of Boomers are at risk of outliving their retirement savings! Based on shocking facts like that, I was very interested in Jonathan Chevreau’s book, Findependence Day. It’s an interesting twist on a typical financial tips books. Why? Because it’s actually a novel, based on a love story, and throughout the book Jonathan shares financial tips, advice and strategies! So, if you’re looking for a book to help you get a grip on your finances, but are bored with the standard “dry” financial advice non-fiction books out there, this is a terrific alternative to check out! But why is Jonathan qualified to provide us with financial advice? Here’s a brief snapshot: Jonathan Chevreau has been the personal finance columnist for the Financial Post since 1996 and for the National Post since its debut in 1998. Previously, he has authored or co-authored seven non-fiction financial books, including The Wealthy Boomer. In September 2011, Jonathan was named by the OSC’s Investor Education Fund as one of five “Masters of Money,” where he contributes a weekly blog. Also, here is a fun interview with Jonathan that will provide you with more info about his book and how he came up with the interesting concept: Back in 2008, when Findependence Day was originally launched, I conducted an “Interview with Myself” posted on the Wealthy Boomer blog. This is a little trick I learned from British writer Malcolm Muggeridge when he was the writer in residence at Western’s Journalism School in 1978-1979. I’d planned simply to repost that interview here but couldn’t find it on the web. Then I thought it was probably time for a followup interview anyway. So here goes: Interviewer Jon [IJ henceforth]. So, Jon, isn’t it a bit late to launch a web site three years after the book was originally published? Author Jon [AJ henceforth]. Always with the muckraking, aren’t you journalists? IJ: It seems a logical question. AJ: There was a web site associated with the then-publisher, Power Publishers, which was also available as part of FinancialPost.com. But it was a static site and not much changed from month to month. This one is much more dynamic and of course you can buy books from it directly via PayPal, which means most major credit cards. IJ: That’s about the only way you can get it now? AJ: Almost. It used to be in Chapters, its web site and Amazon.com. You may still be able to get used copies via those sites but not new ones like this site is making available. The other way is a special offer from the Financial Post, which is giving the book to new and lapsed subscribers if they sign up for a certain period of time. IJ: What happened to Power Publishers? AJ: They withdrew from book publishing around February of this year. That’s when I bought the remaining inventory. IJ: How many? AJ: Enough to make a decent dent in the financial literacy of our children and young adults if they were all sold and distributed across the country. Want to buy a case? IJ: I was about to ask you the same thing! I notice on the back cover of David Chilton’s The Wealthy Barber Returns that you say it’s the kind of book the Task Force on Financial Literacy should distribute. Did you mean his book specifically, or yours? AJ: Well, both. I don’t view sales of competing financial books as a zero-sum game. Take a look at the Reviews elsewhere on this site and you’ll see several comparisons to The Wealthy Barber. IJ: Except his sequel is non-fiction. AJ: Right, but he really started something with the financial fiction format of the original. It’s been widely imitated. IJ: Including by you. AJ: I don’t consider Findependence Day yet another Barber knockoff. I tried to advance the art in a way that’s never really been done before, to my knowledge. IJ: How so? AJ: Take a look at Jim Daw’s review flagged in the review section or in the book itself. He talked about the “twig of literature” of the personal finance novel. IJ: Twig, as opposed to branch? AJ: Right, that was very witty on Jim’s part and almost went over my head the first time I read it. But his point was that all those Chilton knock0ffs had what he termed “an aggravating sameness” to them. Most were “financial dumps” with a thin storyline and characterization. I agree with Jim: those kind of books are still coming out and I really had no intention of adding to them. IJ: But you did. AJ: With a significant new twist. I’d come up with the title and for a year was considering making it non-fiction. But like many journalists, there’s part of me that always wanted to try what I’d call a “real novel.” I’d written a practice novel right to the end and know more or less how it works: protagonists and villains, constant setbacks along the path to an overarching goal, setting, description, all of that. So I tried to weave the financial information into what I call “classic fictional structure.” IJ: So you’d term Findependence Day a “real” novel? AJ: I wouldn’t go that far. It’s a hybrid of a real novel and a financial primer. In effect, it’s a financial love story. There’s conflict between the saver, Jamie, and his spender wife, Sheena. They disagree about having a monster home in the burbs or an affordable one downtown. Sheena wants investment real estate, Jamie wants to build a business. Eventually Sheena serves Jamie with divorce papers and he’s challenged with trying to reconcile these conflicting goals and desperately trying to save their marriage. IJ: Does he? AJ: If I told you, I’d have to kill us. IJ: You feel that financial conflict is a major cause of marital breakups? AJ: Sadly, yes, as Patricia Lovett Reid writes in the foreword. IJ: It must have been challenging mixing genres. AJ: Yes, which is why most traditional publishers avoid it. In fact, David Chilton himself told me he thought my story was “too good” in the sense that it took away from the financial content. But he’s been very supportive, as he generally is with other authors. IJ: What do you mean by “classic fiction structure?” AJ: Conflict is what keeps readers reading a regular novel. You have a protagonist, in this case Jamie, who has a long-range goal: his Findependence Day which is 22 years away when the book begins. IJ: That’s a long time horizon for a novel. AJ: Yes, which is why one reviewer called it a “Financial Pilgrim’s Progress.” But instead of being weighed down by sin like Bunyan’s character, Christian, Jamie and Sheena are weighed down by debt. IJ: And you have a bad guy, Al Peters. AJ: That too is demanded by traditional fiction structure. Because the hero can’t just get what he wants every time a scene opens or the reader would stop reading. So Al frequently thwarts Jamie, especially when they become business partners. When you break down the book, you’ll find maybe 60 sections. In each one, someone has to have a goal and — here’s the key — he or she must FAIL to achieve that mini-goal by the end of the section. Then they have to have a new goal in the next section. IJ: Give us an example. AJ: Sure. Early in the book, right after the TV show where the host badgers Sheena into tearing up her credit cards, there’s a scene where Jamie goes down the elevator with the financial advisor he met during the show, Theo. Jamie’s goal in that scene is to convince Theo to help him by becoming their financial advisor. But the fiction format demands that Theo refuse his request, which is what he does. He says “come back in a few years when you’ve eliminated your debt.” IJ: And so his next goal is to find someone else who will be his advisor while he’s still in debt. AJ: Right, which is how he comes upon the old hippie in the vinyl record store, which ultimately sets the plot moving in a new direction. IJ: All this while trying to insert financial tips. AJ: Yes, which is why the financial bits are always short: the moment I feel the reader may get bored, or myself as the writer, it’s time to move away from the financial instruction and on to the next aspect of the story. The result is that even if you’re already pretty financially literate, you may keep reading. Check the review from financial blogger Michael James, who could probably write all the financial bits himself in his blog. But even he admits the story got him “hooked” after the first third, and then he read the last two thirds all at one sitting some lazy Sunday morning. IJ: There’s room for a sequel? AJ: Maybe. I’d thought of following the daughter, Michaela, by doing a “next generation” followup. But I won’t attempt it while I’m still working full time. IJ: So when you reach your own Findependence Day? AJ: Precisely. IJ: Guess that’s all the time and space we have, Jon. AJ: I know the drill, JC. Always a pleasure. 9 Tips Authors Can Use for Marketing Their First BookAugust 26th, 2011Hi All! I came across these great tips in a post on The Creative Penn blog and wanted to share them with you. Whether you’re a new book author, or a seasoned author, and regardless of whether you self-published or have a traditional publishing deal, these tips can help you. They are from an article written by Graham Storrs, author of “Timesplash”. Many of these tips are ones I’ve personally used to market my books, and I also advise my author clients on them, as well. Ready for Graham’s tips??? Here ya go: 1. Get an audience before the release. When you announce your newly-published book to the world, it would be nice if someone was there to hear you. So how many people read your blog? How many friends do you have on Twitter or Facebook? Are you using LinkedIn groups, Goodreads, LibraryThing? Unless you are being followed (friended, or whatever) by hundreds, if not thousands of people, you probably need to put some time into building up your profile on these sites. When you make that announcement, you will feel as if you are standing on the stage in an empty theatre, unless you’ve managed to drag a few people in off the streets first. 2. Create a brand. In writing, the author is the brand. And that means you. You need to present yourself in your communications with potential readers in a way you are comfortable with and which is related to the boks you expect to be promoting. An important part of this is to know which genre you are working in. It’s invidious, I know, but received wisdom is that if you work in more than one genre, you probably need two different names and two different brands. When you are putting yourself out there and finding ways to talk about your book, don’t forget what your brand is – who you want people to see you as. Stay focused. 3. Know what you are going to say. Marketing is about message. Your brand is part of it but the rest is all content. What is your book about? Who will it appeal to? What groups should be interested in it, discussing it, recommending it, and what will catch their attention? Work it all out, find the wording you need to convey the message succinctly and clearly, then, in everything you say, stay on that message. It’s probably not all that hard. You probably write the kind of books you also love to read. Mostly, your target audience is people rather like yourself. Take a while to understand what it is that attracts you to new, unknown writers in your genre and you are half-way there. 4. Understand where your interests lie. You will be selling your book through a variety of channels (book shops, online, as ebooks and as print – possibly POD) and in a number of ‘geographies’ – defined in your publishing contract – to a number of audiences (‘market segments’ in the jargon.) Some channels and geographies will earn you more money than others. If your royalties on net, vs on retail price, it is of critical importance to you personally how big a cut various middlemen are taking. (Remember it can be quite hard to know which channel is best since while apparently high-paying channels like direct sales from your publisher’s own website may earn you a bigger royalty than online stores like Amazon, the latter is likely to out-sell the publisher’s own shop by many times and deliver a much bigger return for your effort. The same goes for audiences. Some are more likely to be interested than others, some more likely to buy, some more likely to spread the word. You are likely to be overwhelmed with work and you need to know where to put your marketing efforts. 5. Keep it rolling. With online sales and ebook editions, publicising a book is not the one-shot event it used to be. Market dynamics have changed since the days when bricks and mortar book shops were all that there was and you had three to six weeks during which your book would be on the shelf before it was returned to make way for the new batch of hopefuls. Now your book will stay in online catalogues for as long as your publishing agreement lasts – and longer if you act to keep it there. You probably have a few months now, after the launch, while your book is fairly new, when you can actively promote it and try to keep people’s attention on it. Even beyond that point, you can run occasional refresher campaigns to lift its profile again. This is all good news for the writer. The bad news is that the marketing need never end! 6. Engage. Talk to your readers and your potential readers. Talk about your book if they’re interested. Talk about the genre. Talk about writing and publishing. Talk about yourself. People are interested. It’s hard to grasp at first. You do interviews, you write blog pieces, you twitter about your life, your opinions, and your book, and you you think, “What the hell is so fascinating about me? Aren’t people going to think I’m a complete ego-maniac?” Well, maybe some will, but an awful lot won’t. They have read your book and liked it and they’re curious about who wrote it, or why you wrote it, or how you wrote it. Even if they haven’t read the book, there are plenty of people with common interests – in the genre, or in writing – who see you as someone who has contributed, or has special knowledge of the journey. You could ignore them all, sit quietly at your desk and write your next book, but it is a deeper, richer experience for everybody – you included – if you engage with them. 7. Keep your pipeline filled. This is more jargon from the sales world. Like it or not, you are selling a product. It’s a business. Your readers are consumers of that product. If they like it, they will want more. The only way they will get more is if you write it. So don’t stop work on that next book, no matter how much extra work the last one has created. A book takes a long time to write, revise, edit and polish. Then you have to sell it to a publisher (oh yes, there are no free rides, each new book can be just as hard to sell as the last one.) Then edit it and then market it. It’s a long pipeline. You keep putting words in at one end and there will be more books to sell at the other. If you stop, there will be a gap. 8. Prepare to work your socks off. You may think you were busy when you wrote the book – what with the day job and family commitments – but once you shave signed that contract, you will shift into overdrive. Now, as well as the day job, the family, and writing the next book, you also have to work with your publisher on edits, and you have to work on your marketing campaign. Your social networking will escalate, your blogging and website content writing will increase, you’ll be trawling the blogsphere working with your communities of interest, and you’ll be pestering reviewers the world over to just please take a look at your book. That’s why I say it’s writing an iceberg – seven tenths of the work comes after the book is finished. 9. Don’t forget to have some fun, or you’ll go nuts. Sometimes, you should even take a holiday! I hope you found those helpful! Marketing a new book can be very challenging, but by implementing tips like those, combined with effectively marketing your book on Amazon, adding PR and writing press releases, and implementing other marketing strategies to your mix, you can ramp your book sales and build a fan base! Cheers & Happy Marketing! Lisa How to Sell, or Make Your Free e-Book Available, on AmazonJanuary 28th, 2011Hi All! Recently, this question has been posed to me a lot: “I want to sell my e-book on Amazon, or I have a free e-book that I want to make available on Amazon. How do I do it?” So, I decided to write a quick blog post to answer this question for authors. This isn’t intended to give you the step-by-step instructions! It’s intended to give you the general info you need to get started: TIP ONE: Amazon’s Digital Text Platform (DTP) Service: This enables you to self-publish ebooks for Kindle downloads: https://dtp.amazon.com/mn/signin Note: This is for whether your ebook is free or you plan to sell it. It also has directions for getting your ISBN and provides that info once you’ve logged in to your account (IBSN info is also provided in the 2 article links below). Directions for log in/account set-up are provided on the link above. This page also provides info about Amazon’s DTP compensation program when you’re selling an ebook. Also, read this short “how to” article. It says that in order for your ebook to be SOLD on Amazon for download on a Kindle an ISBN IS REQUIRED: http://www.ehow.com/how_5740131_sell-ebook-amazon_s-kindle.html TIP TWO: Here’s a good “how to” article about creating and distributing your ebook through Amazon. It states this info is for whether your ebook is FREE or to be sold. According to this article, an ISBN number is NOT required for FREE ebooks on Amazon (but I’d get an ISBN for an ebook even if the ebook is free): http://www.ehow.com/how_4489551_sell-book-kindle-format.html TIP THREE: If you’d prefer NOT to do all of this yourself, here’s a turnkey service that will layout/format your ebooks, get your ISBN numbers, and set-up your ebook with major online retailers. They handle all of it for $149 per title (plus 15% commission of net per sale): http://www.ebookit.com/ Okay! That should take some of the mystery out of this process for you, and hopefully saved you time in researching the answers on your own. Good luck! Cheers & Happy Marketing! Lisa Cool Service For Publishing A Book and Product DevelopmentDecember 15th, 2010Hi All! I’m certainly behind on my blogging the past couple of weeks. My Father has been very sick so I’ve been away from work quite a bit to be with him. The good news is that it looks like he’ll be released from the hospital in time for Christmas! Go, Dad, go!!! OK…onto the topic of this post…a question I get a lot is,”How do I publish a book (or develop products)??”. There are many ways to do this, and here’s one solution that’s worth looking into. And, no, they don’t know that I’m writing a blog post about them! So I’m not receiving anything from them for posting this. The service is called FastPencil.com. They are ideal for self-publishers of ANY type of book. BUT, if you don’t want to write a book, they also create products like: ebooks, small how-to guides, picture books, etc. And they can be developed in printed and electronic formats. Plus, they offer a turnkey solution where they’ll upload to all the major online retailers for you, AND provide distribution services (meaning they’ll print and ship the orders for you). Another cool thing is that they provide templates, so you can design and layout your own book, guide, booklet, ebook, etc. This can save you money on having to hire a graphic designer. AND, they even offer book writing software to make the process easier for you! I also noticed on their website that they offer a service called “Premiere”, which appears to be a publishing imprint service for established authors. That’s worth looking into more for publishing your future books. Here’s a brief blurb from the About Us page on their website: FastPencil is book publishing without the pain. The traditional book publishing process can take many months of effort and more money than most writers anticipate. It’s no wonder authors get discouraged. You shouldn’t have to ask anyone’s permission to write and publish your own book! We have removed the hurdles inherent in traditional book publishing by combining amazing advances in print on demand technology with a sophisticated online workflow system. While powerful technology makes it possible for anyone to publish a high-quality book, our collaboration capabilities make FastPencil the easiest, fastest, and most exciting way to write and publish. Regardless of the type of book they’re writing, most writers need feedback as they create. When authors have ready access to friends and collaborators, the writing and editing process is faster and easier. At any point in the writing process you can connect with like-minded people, share knowledge, chat, gather feedback from reviewers and editors, and collaborate with other authors, all without leaving FastPencil. OKAY! Take a look at their website for more info…I’m interested in using them for e-books and short guide development, so I’ll be learning more about them soon, too! Cheers & Happy Marketing! Lisa P.S. If you have used their service, please post a comment about your experience! Literary Agent vs Publicist: What Is the Difference?November 27th, 2010Many new authors are confused by the different roles of support professionals in the publishing world. It can be a very overwhelming world! So the goal of this article is to shed some light on the basic differences between 2 support professionals who often cause new authors to scratch their heads: Literary Agents and Publicists. Literary Agent Overview: You’ve written a book manuscript and you don’t want to self-publish it…your dream is to land a publishing deal with a major publishing house. Great goal, but what many new authors don’t realize is that nowadays you typically need to land a Literary Agent to represent you FIRST, and then they’ll shop your manuscript to Publishers. Most Publishers won’t even accept a manuscript unless a legitimate Literary Agent delivers it to them. And, quite honestly, finding a Literary Agent to represent you can take quite some time – months and even years. This is a big reason many authors choose the self-publishing route…out of total frustration! But, for the sake of this article, let’s say you are totally determined to land a publishing deal with a traditional publishing house. Here is some general info you need to know about Literary Agents. What exactly is a Literary Agent and what do they do? In general, they are marketing and sales experts who know how to give your manuscript pizzazz. Their purpose is to determine the compelling pitch that (they hope) will make Publishers want to review your manuscript and offer you a publishing deal. Literary Agents also negotiate the book deals for their clients (often with an attorney involved). How do they charge? Like a Talent Agent, they work on commission based on the deal they get for you. So if you contact an agent and they say they will charge a fee to represent you, RUN! That’s a scam. Legitimate agents only get paid if they land you a publishing contract. Here’s a bit more detail from AgentQuery.com about this: Literary Agents charge a commission whenever they sell the publishing rights (and various sub-rights) of a book. Standard commissions range from 10-15% for the sale of domestic rights and 15-20% for foreign rights. Major Publishers pay authors an advance against royalties. A Literary Agent negotiates the terms of the sale, and then collects a commission for their hard work. Publicist Overview: Whether you are self-published or traditionally published, you can hire a Publicist. And their main purpose is to get you, and your book, mass exposure. So a Publicist typically comes into the picture when your book is close to being published (or after it is) and assists with the book marketing. What exactly is a Publicist and what do they do? Basically, a good Publicist comes up with strategic ideas for event promotions, tries to get book reviews, finds opportunities where you and/or you book would fit nicely (like speaking at an event or coordinating a virtual book tour), contacts the media on your behalf to land interviews, and also “cooks up” interesting story angles to grab the media’s attention. Plus, if you’re “famous” and run into trouble that becomes public, your Publicist is there to protect you from bad press OR (try to) address the issue with a positive spin…think Lindsay Lohan, Charlie Sheen and Tiger Woods! How do they charge? Unlike Literary Agents, Publicists do not work on commission. Most of them have an hourly rate or monthly retainer fee. However, there are some who charge based on “pay for placement” (i.e. charging $3000 if they secure you 10 radio interviews), but under those placement arrangements they are not helping with all the other services I mentioned above. And you typically have to come up with the “story angle” yourself to pitch the media and then they contact the media they think will be interested. But, most authors I work with need help with more than just landing a few media interviews. They need help with Marketing, PR, Branding, and Social Media strategies, too. So I assess and strategize all of the elements needed to market the book and the author – and I consider “publicity” just one piece of the big puzzle. Therefore, I don’t just limit my services to being a “Publicist”. I bring this up so you know what to ask a Publicist before hiring one! I know one author who was pitched by a Publicist and for $2500 a month all she was going to do was contact the media. This so-called “Publicist” had no experience with all of the other puzzle pieces needed to successfully market the author or their book, and my (now) client, who was new to the “publicity” world, came close to signing a contract with her. That could have been a very expensive lesson with very little return! Bottom line? If you contact a Publicist and they don’t mention strategies beyond contacting the media (such as conducting a Virtual Book Tour, or assessing your marketing materials, website and positioning), don’t waste your money on their services. In terms of retainer fees, they vary greatly. You’ll see some Publicists who charge $1,000 per month (for a limited amount of hours), and others who charge $25,000+ per month. Most of the “bigger” well-known Publicists I’m aware of won’t take on clients for less than $10,000 per month, and they require 6-month contracts – a pretty hefty price tag for most authors I know. So, there you have it. I hope this snapshot of differences between Literary Agents and Publicists has given you some clarity. They each play very different roles in the publishing world, and (the good ones) can often make a big difference in your quest for publishing greatness! Cheers & Happy Marketing! Lisa |
